Introduction Even until now, the Whoosh model has offered us the ability to inject motion into several highly customisable sound sources. But, as of version 2019.2, this model also allows…
Introduction Creating a non-linear sound system can be tricky due to all the moving parts. We want to design something that sounds great regardless of how it is being interacted…
Introduction Part 1 & Part 2 investigated creating and implementing one-shot sounds. The end of this adventure UI series covers crafting some continuous sounds which are used to accompany sliders…
Introduction In Part 1 of this series we looked at simple one-shot button sounds. In this part, we are going to look at designing for a more dynamic interface which…
Introduction User interface is a topic with huge scope and designing sound for UI can cover a plethora of interactions, from simple button clicks to complex interactive systems that respond…
GameSynth’s Modular model offers a great visual patching system for creating sound procedurally. Part of this package includes signal generators such as the Creature and Motor modules, which are a…
This year’s round of #GANTalks featured some of the finest talents in the game audio community. Thanks to the ongoing planning and orchestration on the part of Sam Hughes and…
Raw recordings often lack weight by themselves and require a certain amount of layering and effects processing to create the desired impact. Fortunately, GameSynth has a dedicated Impact model which…
